2016-2018 Writer in residence, On the Boards Seattle. At this contemporary performing arts collective in Seattle, my critical responses to the season’s performances create a bridge of dialogue between artists and the community. Watch this space for five creative responses and an artist profile throughout the season:
- Symphony of Sorrowful Songs, a review of ‘The Institute of Memory (TIMe)’
- Switchback Trance, a response to Heather Kravas: Visions of Beauty
- The Information Is In the Flesh: An Interview With Jessica Jobaris, an interview in advance of ‘A Great Hunger’
- Psychic Radio Star: The Self Is Born, a response to Ezra Dickinson
- Stand in the Middle, a writer’s response to Zoe Juniper and American Shape Note Singing
2016/2017 Alumni Ambassador and editor of After the MFA, University of Washington, Bothell MFA Creative Writing and Poetics program.
First Runner Up, Red Hen Press Nonfiction Award, California Calling, January 2017
Finalist, Autumn House Press book manuscript contest, for my memoir manuscript California Calling, June 2016.
April 2016, honorable mention, “There Is But One Choice: Confession or Some Form of Extinction,” AWP Intro Journals Project.
“A Kingdom Like No Other” – Second Place Winner in the 2011 Nonfiction Writing Contest at Torrey House Press
Public reading and event curation, ‘Father, Mother, Other,’ Seattle Lit Crawl, October 2016, Velocity Dance Center, Seattle.
Public reading, March 2016, International Women’s Day, Northwest Film Forum Seattle.
Public reading, “Lucky 13,” November 2015, Ballard Writers Collective.
Natalie’s work has been anthologized including in the 2015 YA collection Love & Profanity: A Collection of True, Tortured, Wild, Hilarious, Concise, and Intense Tales of Teenage Life. Her creative and critical writing and poetry has been published in journals, magazines and newspapers including The Washington Post, New York Magazine, Literary Mama, Brain Child, Full Grown People, Clamor, ParentMap, This Great Society, and Alligator Juniper.